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DTSTART;TZID=America/Los_Angeles:20250504T170000
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LAST-MODIFIED:20250226T205501Z
UID:10002881-1746378000-1746385200@arabishway.com
SUMMARY:Movie: Leila and the Wolves at the Beacon
DESCRIPTION:Forty years ago\, this landmark film by Lebanese director Heiny Srour (THE HOUR OF LIBERATION HAS ARRIVED) centred the less visible stories and histories of women’s resistance in Lebanon and Palestine through an audacious feminist rewriting. Now re-emerging in a new restoration\, LEILA AND THE WOLVES revolves around the eponymous Leila (Nabila Zeitouni)\, a London-based Lebanese woman who\, in pondering her future within the limits of the patriarchal imagination\, begins to question the long-hidden roles that women have had in Arab history\, including how they entwine with the Palestinian resistance movement. \nA photography exhibition\, organised by a male friend and chronicling the Palestinian struggle\, intrigues Leila further. When she questions why there are only photographs of men\, he responds casually that women simply weren’t present. Leila’s visceral rejection of this response sets her on a time-travelling journey from the early 1900s to the 1980s\, as well as into her own future – or what it will be like if she merely accepts women’s lack of historical agency. \nLEILA AND THE WOLVES weaves together fictional drama\, memory\, myth and archival footage (from sources ranging from the films of Palestinian director Mai Masri to the archives of UNRWA and the Imperial War Museum) to conjure images of active\, activist and defiant women – a restitution of sorts\, which reverberates around the world. In an interview from 2020\, the filmmaker says: “Nowadays\, LEILA is travelling the world again\, more relevant than ever; my unconscious and the collective unconscious of the women of the Middle East spoke together throughout the extreme conditions of making this film.” \n“Heiny Srour’s LEILA AND THE WOLVES is a film of monumental resolve and ambition\, determined to address the contradictions within the anti-colonial struggle. With a single actress playing multiple characters in different historical moments\, the film dispenses with teleological linearity to emphasize the recurrence of oppression and the consequent need for constant and multifarious opposition. Its restored relevance is not only thematic but methodological: here’s a film that defiantly disregards any moralist binary of good versus evil\, us versus them\, to champion the immense and composite task that is liberation from all shackles\, wherever and whomever we are.” – Celluloid Liberation Front
URL:https://arabishway.com/event/movie-leila-and-the-wolves-at-the-beacon-2/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/02/TB_LEILAANDTHEWOLVES.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250504T110000
DTEND;TZID=America/Los_Angeles:20250504T130000
DTSTAMP:20250430T220836Z
CREATED:20250430T220808Z
LAST-MODIFIED:20250430T220836Z
UID:10003077-1746356400-1746363600@arabishway.com
SUMMARY:Movie: The Encampments
DESCRIPTION:THE ENCAMPMENTS follows student organizers at some of the world’s most prestigious universities as they take a historic stand against their institutions’ investments in the ongoing genocide in Gaza\, igniting one of the largest student movements in history which continues to have far-reaching effects on US and world policies today. \nFilmed on the ground and in real-time as these events were unfolding\, THE ENCAMPMENTS features detained student activist Mahmoud Khalil and takes viewers inside America’s student uprising with incredible intimacy and urgency. Professors\, whistleblowers from inside Ivy League administrations\, and student activists shed light on a moment that captivated the nation’s attention and continues to make headlines today. \n“What makes THE ENCAMPMENTS artistically triumphant is its sense of contemporary and historical detail\, owed to both footage shot by the filmmakers\, as well as by the protesters themselves. In the process\, co-directors Kei Pritsker and Michael T. Workman craft a work of cinema that’s as rigorously journalistic in its arguments as it is nakedly sentimental.” – IndieWire \n“This is more than a student protest—it’s a generational struggle for justice. Students have always led the charge for justice\, from the sit-ins of the Civil Rights Movement to the campus protests against South African apartheid. The encampments that started at Columbia are part of that legacy\, inspiring millions of people around the world. The film ensures the students in US and Gaza are heard\, their actions are remembered\, and the fight for Palestinian liberation continues.” – Macklemore \n“Khalil remains detained at an ICE facility in Louisiana amid a legal battle to prevent his deportation from the U.S. after the Trump administration ordered his removal… The legal challenge to Khalil might ultimately come down to the Supreme Court\, which would decide how far the secretary of state can determine whether a permanent resident can be removed for speech.” – Axios
URL:https://arabishway.com/event/movie-the-encampments-3/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/03/TB_THE_ENCAMPMENTS.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250502T190000
DTEND;TZID=America/Los_Angeles:20250502T210000
DTSTAMP:20250226T205428Z
CREATED:20250226T205428Z
LAST-MODIFIED:20250226T205428Z
UID:10002880-1746212400-1746219600@arabishway.com
SUMMARY:Movie: Leila and the Wolves at the Beacon
DESCRIPTION:Forty years ago\, this landmark film by Lebanese director Heiny Srour (THE HOUR OF LIBERATION HAS ARRIVED) centred the less visible stories and histories of women’s resistance in Lebanon and Palestine through an audacious feminist rewriting. Now re-emerging in a new restoration\, LEILA AND THE WOLVES revolves around the eponymous Leila (Nabila Zeitouni)\, a London-based Lebanese woman who\, in pondering her future within the limits of the patriarchal imagination\, begins to question the long-hidden roles that women have had in Arab history\, including how they entwine with the Palestinian resistance movement. \nA photography exhibition\, organised by a male friend and chronicling the Palestinian struggle\, intrigues Leila further. When she questions why there are only photographs of men\, he responds casually that women simply weren’t present. Leila’s visceral rejection of this response sets her on a time-travelling journey from the early 1900s to the 1980s\, as well as into her own future – or what it will be like if she merely accepts women’s lack of historical agency. \nLEILA AND THE WOLVES weaves together fictional drama\, memory\, myth and archival footage (from sources ranging from the films of Palestinian director Mai Masri to the archives of UNRWA and the Imperial War Museum) to conjure images of active\, activist and defiant women – a restitution of sorts\, which reverberates around the world. In an interview from 2020\, the filmmaker says: “Nowadays\, LEILA is travelling the world again\, more relevant than ever; my unconscious and the collective unconscious of the women of the Middle East spoke together throughout the extreme conditions of making this film.” \n“Heiny Srour’s LEILA AND THE WOLVES is a film of monumental resolve and ambition\, determined to address the contradictions within the anti-colonial struggle. With a single actress playing multiple characters in different historical moments\, the film dispenses with teleological linearity to emphasize the recurrence of oppression and the consequent need for constant and multifarious opposition. Its restored relevance is not only thematic but methodological: here’s a film that defiantly disregards any moralist binary of good versus evil\, us versus them\, to champion the immense and composite task that is liberation from all shackles\, wherever and whomever we are.” – Celluloid Liberation Front
URL:https://arabishway.com/event/movie-leila-and-the-wolves-at-the-beacon/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/02/TB_LEILAANDTHEWOLVES.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250502T160000
DTEND;TZID=America/Los_Angeles:20250502T173000
DTSTAMP:20250430T220759Z
CREATED:20250430T220704Z
LAST-MODIFIED:20250430T220759Z
UID:10003076-1746201600-1746207000@arabishway.com
SUMMARY:Movie: The Encampments
DESCRIPTION:THE ENCAMPMENTS follows student organizers at some of the world’s most prestigious universities as they take a historic stand against their institutions’ investments in the ongoing genocide in Gaza\, igniting one of the largest student movements in history which continues to have far-reaching effects on US and world policies today. \nFilmed on the ground and in real-time as these events were unfolding\, THE ENCAMPMENTS features detained student activist Mahmoud Khalil and takes viewers inside America’s student uprising with incredible intimacy and urgency. Professors\, whistleblowers from inside Ivy League administrations\, and student activists shed light on a moment that captivated the nation’s attention and continues to make headlines today. \n“What makes THE ENCAMPMENTS artistically triumphant is its sense of contemporary and historical detail\, owed to both footage shot by the filmmakers\, as well as by the protesters themselves. In the process\, co-directors Kei Pritsker and Michael T. Workman craft a work of cinema that’s as rigorously journalistic in its arguments as it is nakedly sentimental.” – IndieWire \n“This is more than a student protest—it’s a generational struggle for justice. Students have always led the charge for justice\, from the sit-ins of the Civil Rights Movement to the campus protests against South African apartheid. The encampments that started at Columbia are part of that legacy\, inspiring millions of people around the world. The film ensures the students in US and Gaza are heard\, their actions are remembered\, and the fight for Palestinian liberation continues.” – Macklemore \n“Khalil remains detained at an ICE facility in Louisiana amid a legal battle to prevent his deportation from the U.S. after the Trump administration ordered his removal… The legal challenge to Khalil might ultimately come down to the Supreme Court\, which would decide how far the secretary of state can determine whether a permanent resident can be removed for speech.” – Axios
URL:https://arabishway.com/event/movie-the-encampments-2/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/03/TB_THE_ENCAMPMENTS.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250410T193000
DTEND;TZID=America/Los_Angeles:20250410T210000
DTSTAMP:20250331T203042Z
CREATED:20250331T203015Z
LAST-MODIFIED:20250331T203042Z
UID:10002956-1744313400-1744318800@arabishway.com
SUMMARY:Movie: The Encampments
DESCRIPTION:THE ENCAMPMENTS follows student organizers at some of the world’s most prestigious universities as they take a historic stand against their institutions’ investments in the ongoing genocide in Gaza\, igniting one of the largest student movements in history which continues to have far-reaching effects on US and world policies today. \nFilmed on the ground and in real-time as these events were unfolding\, THE ENCAMPMENTS features detained student activist Mahmoud Khalil and takes viewers inside America’s student uprising with incredible intimacy and urgency. Professors\, whistleblowers from inside Ivy League administrations\, and student activists shed light on a moment that captivated the nation’s attention and continues to make headlines today. \n“What makes THE ENCAMPMENTS artistically triumphant is its sense of contemporary and historical detail\, owed to both footage shot by the filmmakers\, as well as by the protesters themselves. In the process\, co-directors Kei Pritsker and Michael T. Workman craft a work of cinema that’s as rigorously journalistic in its arguments as it is nakedly sentimental.” – IndieWire \n“This is more than a student protest—it’s a generational struggle for justice. Students have always led the charge for justice\, from the sit-ins of the Civil Rights Movement to the campus protests against South African apartheid. The encampments that started at Columbia are part of that legacy\, inspiring millions of people around the world. The film ensures the students in US and Gaza are heard\, their actions are remembered\, and the fight for Palestinian liberation continues.” – Macklemore \n“Khalil remains detained at an ICE facility in Louisiana amid a legal battle to prevent his deportation from the U.S. after the Trump administration ordered his removal… The legal challenge to Khalil might ultimately come down to the Supreme Court\, which would decide how far the secretary of state can determine whether a permanent resident can be removed for speech.” – Axios
URL:https://arabishway.com/event/movie-the-encampments-e/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/03/TB_THE_ENCAMPMENTS.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250409T163000
DTEND;TZID=America/Los_Angeles:20250409T180000
DTSTAMP:20250331T202938Z
CREATED:20250331T202904Z
LAST-MODIFIED:20250331T202938Z
UID:10002955-1744216200-1744221600@arabishway.com
SUMMARY:Movie: The Encampments
DESCRIPTION:THE ENCAMPMENTS follows student organizers at some of the world’s most prestigious universities as they take a historic stand against their institutions’ investments in the ongoing genocide in Gaza\, igniting one of the largest student movements in history which continues to have far-reaching effects on US and world policies today. \nFilmed on the ground and in real-time as these events were unfolding\, THE ENCAMPMENTS features detained student activist Mahmoud Khalil and takes viewers inside America’s student uprising with incredible intimacy and urgency. Professors\, whistleblowers from inside Ivy League administrations\, and student activists shed light on a moment that captivated the nation’s attention and continues to make headlines today. \n“What makes THE ENCAMPMENTS artistically triumphant is its sense of contemporary and historical detail\, owed to both footage shot by the filmmakers\, as well as by the protesters themselves. In the process\, co-directors Kei Pritsker and Michael T. Workman craft a work of cinema that’s as rigorously journalistic in its arguments as it is nakedly sentimental.” – IndieWire \n“This is more than a student protest—it’s a generational struggle for justice. Students have always led the charge for justice\, from the sit-ins of the Civil Rights Movement to the campus protests against South African apartheid. The encampments that started at Columbia are part of that legacy\, inspiring millions of people around the world. The film ensures the students in US and Gaza are heard\, their actions are remembered\, and the fight for Palestinian liberation continues.” – Macklemore \n“Khalil remains detained at an ICE facility in Louisiana amid a legal battle to prevent his deportation from the U.S. after the Trump administration ordered his removal… The legal challenge to Khalil might ultimately come down to the Supreme Court\, which would decide how far the secretary of state can determine whether a permanent resident can be removed for speech.” – Axios
URL:https://arabishway.com/event/movie-the-encampments-d/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/03/TB_THE_ENCAMPMENTS.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250405T220000
DTEND;TZID=America/Los_Angeles:20250405T233000
DTSTAMP:20250331T202835Z
CREATED:20250331T202723Z
LAST-MODIFIED:20250331T202835Z
UID:10002954-1743890400-1743895800@arabishway.com
SUMMARY:Movie: The Encampments
DESCRIPTION:THE ENCAMPMENTS follows student organizers at some of the world’s most prestigious universities as they take a historic stand against their institutions’ investments in the ongoing genocide in Gaza\, igniting one of the largest student movements in history which continues to have far-reaching effects on US and world policies today. \nFilmed on the ground and in real-time as these events were unfolding\, THE ENCAMPMENTS features detained student activist Mahmoud Khalil and takes viewers inside America’s student uprising with incredible intimacy and urgency. Professors\, whistleblowers from inside Ivy League administrations\, and student activists shed light on a moment that captivated the nation’s attention and continues to make headlines today. \n“What makes THE ENCAMPMENTS artistically triumphant is its sense of contemporary and historical detail\, owed to both footage shot by the filmmakers\, as well as by the protesters themselves. In the process\, co-directors Kei Pritsker and Michael T. Workman craft a work of cinema that’s as rigorously journalistic in its arguments as it is nakedly sentimental.” – IndieWire \n“This is more than a student protest—it’s a generational struggle for justice. Students have always led the charge for justice\, from the sit-ins of the Civil Rights Movement to the campus protests against South African apartheid. The encampments that started at Columbia are part of that legacy\, inspiring millions of people around the world. The film ensures the students in US and Gaza are heard\, their actions are remembered\, and the fight for Palestinian liberation continues.” – Macklemore \n“Khalil remains detained at an ICE facility in Louisiana amid a legal battle to prevent his deportation from the U.S. after the Trump administration ordered his removal… The legal challenge to Khalil might ultimately come down to the Supreme Court\, which would decide how far the secretary of state can determine whether a permanent resident can be removed for speech.” – Axios
URL:https://arabishway.com/event/movie-the-encampments-c/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/03/TB_THE_ENCAMPMENTS.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250405T100000
DTEND;TZID=America/Los_Angeles:20250405T113000
DTSTAMP:20250331T202703Z
CREATED:20250331T202551Z
LAST-MODIFIED:20250331T202703Z
UID:10002953-1743847200-1743852600@arabishway.com
SUMMARY:Movie: The Encampments
DESCRIPTION:THE ENCAMPMENTS follows student organizers at some of the world’s most prestigious universities as they take a historic stand against their institutions’ investments in the ongoing genocide in Gaza\, igniting one of the largest student movements in history which continues to have far-reaching effects on US and world policies today. \nFilmed on the ground and in real-time as these events were unfolding\, THE ENCAMPMENTS features detained student activist Mahmoud Khalil and takes viewers inside America’s student uprising with incredible intimacy and urgency. Professors\, whistleblowers from inside Ivy League administrations\, and student activists shed light on a moment that captivated the nation’s attention and continues to make headlines today. \n“What makes THE ENCAMPMENTS artistically triumphant is its sense of contemporary and historical detail\, owed to both footage shot by the filmmakers\, as well as by the protesters themselves. In the process\, co-directors Kei Pritsker and Michael T. Workman craft a work of cinema that’s as rigorously journalistic in its arguments as it is nakedly sentimental.” – IndieWire \n“This is more than a student protest—it’s a generational struggle for justice. Students have always led the charge for justice\, from the sit-ins of the Civil Rights Movement to the campus protests against South African apartheid. The encampments that started at Columbia are part of that legacy\, inspiring millions of people around the world. The film ensures the students in US and Gaza are heard\, their actions are remembered\, and the fight for Palestinian liberation continues.” – Macklemore \n“Khalil remains detained at an ICE facility in Louisiana amid a legal battle to prevent his deportation from the U.S. after the Trump administration ordered his removal… The legal challenge to Khalil might ultimately come down to the Supreme Court\, which would decide how far the secretary of state can determine whether a permanent resident can be removed for speech.” – Axios
URL:https://arabishway.com/event/movie-the-encampments-b/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/03/TB_THE_ENCAMPMENTS.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250404T190000
DTEND;TZID=America/Los_Angeles:20250404T210000
DTSTAMP:20250331T202509Z
CREATED:20250331T202509Z
LAST-MODIFIED:20250331T202509Z
UID:10002952-1743793200-1743800400@arabishway.com
SUMMARY:Movie: The Encampments
DESCRIPTION:THE ENCAMPMENTS follows student organizers at some of the world’s most prestigious universities as they take a historic stand against their institutions’ investments in the ongoing genocide in Gaza\, igniting one of the largest student movements in history which continues to have far-reaching effects on US and world policies today. \nFilmed on the ground and in real-time as these events were unfolding\, THE ENCAMPMENTS features detained student activist Mahmoud Khalil and takes viewers inside America’s student uprising with incredible intimacy and urgency. Professors\, whistleblowers from inside Ivy League administrations\, and student activists shed light on a moment that captivated the nation’s attention and continues to make headlines today. \n“What makes THE ENCAMPMENTS artistically triumphant is its sense of contemporary and historical detail\, owed to both footage shot by the filmmakers\, as well as by the protesters themselves. In the process\, co-directors Kei Pritsker and Michael T. Workman craft a work of cinema that’s as rigorously journalistic in its arguments as it is nakedly sentimental.” – IndieWire \n“This is more than a student protest—it’s a generational struggle for justice. Students have always led the charge for justice\, from the sit-ins of the Civil Rights Movement to the campus protests against South African apartheid. The encampments that started at Columbia are part of that legacy\, inspiring millions of people around the world. The film ensures the students in US and Gaza are heard\, their actions are remembered\, and the fight for Palestinian liberation continues.” – Macklemore \n“Khalil remains detained at an ICE facility in Louisiana amid a legal battle to prevent his deportation from the U.S. after the Trump administration ordered his removal… The legal challenge to Khalil might ultimately come down to the Supreme Court\, which would decide how far the secretary of state can determine whether a permanent resident can be removed for speech.” – Axios
URL:https://arabishway.com/event/movie-the-encampments/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2025/03/TB_THE_ENCAMPMENTS.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240717T193000
DTEND;TZID=America/Los_Angeles:20240717T213000
DTSTAMP:20240626T223301Z
CREATED:20240624T215326Z
LAST-MODIFIED:20240626T223301Z
UID:10002492-1721244600-1721251800@arabishway.com
SUMMARY:Movie: The Hour of Liberation Has Arrived
DESCRIPTION:THE TEN PILLARS OF BEACON: ARMED STRUGGLE \nCinema can be used as a vessel for resistance\, a tool to hasten the breaking of chains\, a beacon call for global transformation towards new collectively-forged futures. \nIn the late 60s\, Dhofar rose up against the British-backed Sultanate of Oman\, in a democratic\, feminist guerrilla movement. Director Heiny Srour and her team crossed 500 miles of desert and mountains by foot\, under bombardment by the British Royal Air Force\, to reach the conflict zone and capture this rare record of a now mostly-forgotten war.
URL:https://arabishway.com/event/movie-the-hour-of-liberation-has-arrived/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/06/TB_HOUROFLIBERATIONHASARRIVED.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240528T193000
DTEND;TZID=America/Los_Angeles:20240528T210000
DTSTAMP:20240528T165846Z
CREATED:20240528T165121Z
LAST-MODIFIED:20240528T165846Z
UID:10002419-1716924600-1716930000@arabishway.com
SUMMARY:Spaces of Exception (Film & Discussion)
DESCRIPTION:With filmmaker Matt Peterson in attendance for an introduction and Q&A following the screening.\n\nShot between 2014 to 2017\, SPACES OF EXCEPTION observes and juxtaposes the communities and struggles of the American Indian reservation and the Palestinian refugee camp. It visits reservations in Arizona\, New Mexico\, New York\, and South Dakota\, as well camps in Lebanon and the West Bank\, “places defined by their historical and spiritual resistance” in order to “understand the conditions for life\, community\, and sovereignty.”\n\n\nMore info and buy tickets (for profit to the theater): https://thebeacon.film/calendar/movie/spaces-of-exception\nmore details»  copy to my calendar
URL:https://arabishway.com/event/spaces-of-exception-film-discussion/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2024/05/TB_SPACESOFEXCEPTION.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240523T163000
DTEND;TZID=America/Los_Angeles:20240523T183000
DTSTAMP:20240410T014134Z
CREATED:20240410T014110Z
LAST-MODIFIED:20240410T014134Z
UID:10002347-1716481800-1716489000@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-last/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240522T163000
DTEND;TZID=America/Los_Angeles:20240522T183000
DTSTAMP:20240410T014055Z
CREATED:20240410T014028Z
LAST-MODIFIED:20240410T014055Z
UID:10002346-1716395400-1716402600@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-12/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240521T163000
DTEND;TZID=America/Los_Angeles:20240521T183000
DTSTAMP:20240410T014018Z
CREATED:20240410T013944Z
LAST-MODIFIED:20240410T014018Z
UID:10002345-1716309000-1716316200@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-11/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240520T163000
DTEND;TZID=America/Los_Angeles:20240520T183000
DTSTAMP:20240410T013931Z
CREATED:20240410T013839Z
LAST-MODIFIED:20240410T013931Z
UID:10002344-1716222600-1716229800@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-10/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240518T130000
DTEND;TZID=America/Los_Angeles:20240518T150000
DTSTAMP:20240410T013822Z
CREATED:20240410T013737Z
LAST-MODIFIED:20240410T013822Z
UID:10002343-1716037200-1716044400@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-9/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240517T160000
DTEND;TZID=America/Los_Angeles:20240517T180000
DTSTAMP:20240410T013708Z
CREATED:20240410T013506Z
LAST-MODIFIED:20240410T013708Z
UID:10002342-1715961600-1715968800@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-8/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240516T163000
DTEND;TZID=America/Los_Angeles:20240516T183000
DTSTAMP:20240410T013451Z
CREATED:20240410T013414Z
LAST-MODIFIED:20240410T013451Z
UID:10002341-1715877000-1715884200@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-7/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240515T193000
DTEND;TZID=America/Los_Angeles:20240515T213000
DTSTAMP:20240410T013401Z
CREATED:20240410T013309Z
LAST-MODIFIED:20240410T013401Z
UID:10002340-1715801400-1715808600@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-6/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240514T193000
DTEND;TZID=America/Los_Angeles:20240514T213000
DTSTAMP:20240410T013325Z
CREATED:20240410T013230Z
LAST-MODIFIED:20240410T013325Z
UID:10002339-1715715000-1715722200@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-5/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240513T193000
DTEND;TZID=America/Los_Angeles:20240513T213000
DTSTAMP:20240410T013213Z
CREATED:20240410T013125Z
LAST-MODIFIED:20240410T013213Z
UID:10002338-1715628600-1715635800@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-4/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240512T170000
DTEND;TZID=America/Los_Angeles:20240512T190000
DTSTAMP:20240410T013103Z
CREATED:20240410T013014Z
LAST-MODIFIED:20240410T013103Z
UID:10002337-1715533200-1715540400@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-3/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240511T190000
DTEND;TZID=America/Los_Angeles:20240511T210000
DTSTAMP:20240410T012954Z
CREATED:20240410T012912Z
LAST-MODIFIED:20240410T012954Z
UID:10002336-1715454000-1715461200@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak-2/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240510T190000
DTEND;TZID=America/Los_Angeles:20240510T210000
DTSTAMP:20240410T012905Z
CREATED:20240410T012841Z
LAST-MODIFIED:20240410T012905Z
UID:10002335-1715367600-1715374800@arabishway.com
SUMMARY:Movie: The Old Oak
DESCRIPTION:The Old Oak is a special place. Not only is it the last pub standing in its small northern town\, but it’s also the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. Its owner TJ Ballantyne (Dave Turner) hangs on to The Old Oak by his fingertips\, and his predicament is endangered even more when the pub becomes contested territory after the arrival of Syrian refugees who are placed in the village without any notice. In an unlikely friendship\, TJ meets a curious young Syrian photographer named Yara (Ebla Mari). Together can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about their fragilities and hopes.
URL:https://arabishway.com/event/movie-the-old-oak/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Old-Oak.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240421T104500
DTEND;TZID=America/Los_Angeles:20240421T170000
DTSTAMP:20240415T152443Z
CREATED:20240415T152404Z
LAST-MODIFIED:20240415T152443Z
UID:10002362-1713696300-1713718800@arabishway.com
SUMMARY:Dance for Falasteen
DESCRIPTION:PRE-REGISTRATION LINK IN BIO🇵🇸 We raised $1\,100+ for @campsbreakerz of Ga-za during our first 2 days of pre-registration🤯🍉✊🏼. Thank you for all the love. Grab your spot because classes are selling out fast! \nDance for Falasteen Seattle is excited to announce our first event.🎉 We are hosting dance workshops honoring and fundraising for @campsbreakerz of Ga-za.🍉
URL:https://arabishway.com/event/dance-for-falasteen/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Dance,Music,Workshop
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/04/Screenshot-2024-04-15-at-8.22.22 AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240410T163000
DTEND;TZID=America/Los_Angeles:20240410T180000
DTSTAMP:20240410T010841Z
CREATED:20240410T010722Z
LAST-MODIFIED:20240410T010841Z
UID:10002334-1712766600-1712772000@arabishway.com
SUMMARY:Movie: Foragers
DESCRIPTION:In her cinematic investigation into the Palestinian practice of foraging za’atar (a thyme-like herb) and ’akkoub (a wild artichoke-like plant)\, artist Jumana Manna reveals the perils involved in the preservation of Arab traditions under Israeli law. Her inventive blend of fiction\, documentary and archival footage in FORAGERS coalesces into a warm portrait of a community whose daily activities resist continued repression. \nBeginning with archival footage from a ‘70s Israeli TV program in which the popularity of za’atar among Arabs is being discussed\, the film shows an Israeli businessman boasting about his decision to start planting and selling za’atar\, transforming the herb from a public good typically foraged by Palestinians into an agricultural commodity that profits Israelis. (It is no coincidence the footage is from the same decade that saw a public ban on the collection of za’atar in Israel.) Manna’s film is clear about how business and politics are embroiled in the continued erasure of Palestinian culture to such effect that the “very simple act of going out and collecting wild weeds becomes about a much wider politics of land control and sovereignty.”
URL:https://arabishway.com/event/movie-foragers-2/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/03/TB_FORAGERS-e1711492163236.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240403T193000
DTEND;TZID=America/Los_Angeles:20240403T210000
DTSTAMP:20240321T220420Z
CREATED:20240318T192051Z
LAST-MODIFIED:20240321T220420Z
UID:10002294-1712172600-1712178000@arabishway.com
SUMMARY:Movie: Foragers
DESCRIPTION:In her cinematic investigation into the Palestinian practice of foraging za’atar (a thyme-like herb) and ’akkoub (a wild artichoke-like plant)\, artist Jumana Manna reveals the perils involved in the preservation of Arab traditions under Israeli law. Her inventive blend of fiction\, documentary and archival footage in FORAGERS coalesces into a warm portrait of a community whose daily activities resist continued repression. \nBeginning with archival footage from a ‘70s Israeli TV program in which the popularity of za’atar among Arabs is being discussed\, the film shows an Israeli businessman boasting about his decision to start planting and selling za’atar\, transforming the herb from a public good typically foraged by Palestinians into an agricultural commodity that profits Israelis. (It is no coincidence the footage is from the same decade that saw a public ban on the collection of za’atar in Israel.) Manna’s film is clear about how business and politics are embroiled in the continued erasure of Palestinian culture to such effect that the “very simple act of going out and collecting wild weeds becomes about a much wider politics of land control and sovereignty.” \nFor Manna\, FORAGERS is the product of her longstanding interest in the “politics of preservation” and her own experience foraging alongside her parents\, who appear throughout the film. Her refusal to let Israeli authorities decide “what gets preserved and gets erased” informs her approach to filmmaking\, in which the documentation of family customs affirms Palestinian values and traditions against systemic attempts at blotting a people\, their land\, and their culture from the world’s collective memory.
URL:https://arabishway.com/event/movie-foragers/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/03/TB_FORAGERS-e1711492163236.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230622T193000
DTEND;TZID=America/Los_Angeles:20230622T193000
DTSTAMP:20230525T194919Z
CREATED:20230525T194533Z
LAST-MODIFIED:20230525T194919Z
UID:10001801-1687462200-1687462200@arabishway.com
SUMMARY:Movie: The Scars of Ali Boulala
DESCRIPTION:At 16 years old\, Ali Boulala was on top of the world: the Algerian-Finnish skateboarding prodigy from Sweden snagged a sponsorship from Flip Skateboards\, who flew him out to LA at the height of the 90s skating craze. Boulala spent his days trying to nail new tricks for DIY videos and hanging out with a global cohort of other precocious pros\, who loved Boulala for his charisma and punk-inflected style. But the indulgences of life on tour – especially for a group of death-defying teenagers – took its toll\, building to a tragic accident that changed Boulala’s life forever. \nIn his debut feature\, Max Eriksson tells Boulala’s story through an audaciously atmospheric blend of sources: we see Boulala in his prime in skate videos from the 90s and 00s\, while fellow pro skaters – Rune Glifberg\, Arto Saari\, and Kevin “Spanky” Long – tell us who he was off the halfpipe. As Boulala revisits his youth with fresh eyes\, he takes a clear-eyed look at the unexpected lifestyle that was inextricable from his childhood talent. As he puts it\, a person’s inner scars will always outlast their physical injuries. \n  \nRuntime: 100 minutes
URL:https://arabishway.com/event/movie-the-scars-of-ali-boulala/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2023/05/Ali-Boulala.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220328T193000
DTEND;TZID=America/Los_Angeles:20220328T210000
DTSTAMP:20220324T212308Z
CREATED:20220324T212236Z
LAST-MODIFIED:20220324T212308Z
UID:10001249-1648495800-1648501200@arabishway.com
SUMMARY:Movie: Ali\, Fear Eats the Soul (in person)
DESCRIPTION:Rainer Werner Fassbinder’s homage to All that Heaven Allows has since become one of his most powerful love stories. Ali: Fear Eats the Soul unravels a love affair between two unlikely characters: a lonely German widow in her sixties and a Moroccan immigrant worker in his thirties. When the couple spontaneously marries\, they face constant bigotry and criticism\, but their own insecurities about their future may be insurmountable.
URL:https://arabishway.com/event/movie-ali-fear-eats-the-soul-in-person-2/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2022/03/Screen-Shot-2022-03-24-at-2.19.24-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220325T200000
DTEND;TZID=America/Los_Angeles:20220325T213000
DTSTAMP:20220324T212222Z
CREATED:20220324T212222Z
LAST-MODIFIED:20220324T212222Z
UID:10001248-1648238400-1648243800@arabishway.com
SUMMARY:Movie: Ali\, Fear Eats the Soul (in person)
DESCRIPTION:Rainer Werner Fassbinder’s homage to All that Heaven Allows has since become one of his most powerful love stories. Ali: Fear Eats the Soul unravels a love affair between two unlikely characters: a lonely German widow in her sixties and a Moroccan immigrant worker in his thirties. When the couple spontaneously marries\, they face constant bigotry and criticism\, but their own insecurities about their future may be insurmountable.
URL:https://arabishway.com/event/movie-ali-fear-eats-the-soul-in-person/
LOCATION:The Beacon\, 4405 Rainier Ave S\, Seattle\, WA\, 98118\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2022/03/Screen-Shot-2022-03-24-at-2.19.24-PM.png
END:VEVENT
END:VCALENDAR