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DTSTART;TZID=America/Los_Angeles:20240907T090000
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DTSTAMP:20260423T132101
CREATED:20240831T223931Z
LAST-MODIFIED:20240831T224007Z
UID:10002630-1725699600-1725706800@arabishway.com
SUMMARY:Virtual Movie Screenings: Every Saturday with Palestine Museum US
DESCRIPTION:Check website: https://www.palestinemuseum.us/events for current showings and for registration links! \nOften the screening ends with a Q&A with the director! \n 
URL:https://arabishway.com/event/virtual-movie-screenings-every-saturday-with-palestine-museum-us-september/
LOCATION:Virtual
CATEGORIES:Movie
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2020/11/palestine-museum.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240916
DTEND;VALUE=DATE:20240927
DTSTAMP:20260423T132101
CREATED:20240831T230243Z
LAST-MODIFIED:20240831T230243Z
UID:10002633-1726444800-1727395199@arabishway.com
SUMMARY:SUDANESE FILM GROUP\, THEN AND NOW: Part 1
DESCRIPTION:Join us for September’s Arab Film Series online program: SUDANESE FILM GROUP\, THEN AND NOW \nPart 1: Sept 16-26\, 2025 \nPart 2: Nov 11-21\, 2024 \nRSVP: arabfilmseries.org \nFREE / $5 suggested donation \nAvailable Worldwide \n  \nFounded in April 1989 by Ibrahim Shaddad\, Eltayeb Mahdi\, and Suliman Elnour\, just months before Omar Albashir’s military coup\, the Sudanese Film Group (SFG) is a collective of filmmakers with a goal to maintain and develop Sudanese cinema. After returning from their film studies abroad\, the members spread their love of cinema through film productions\, mobile screenings\, and publications. Producing over forty films\, the group aspired for freedom of expression and the amplifying of local narratives. \n  \nThis two-part program includes a selection of the Sudanese Film Group’s experimental films using 35mm and 16mm reels\, which were digitally restored by Arsenal Berlin in 2018\, in an effort to preserve this part of cinematic history. The program also includes a more recent film by Eltayeb Mahdi that documents the Sudanese revolution in 2019. \n 
URL:https://arabishway.com/event/sudanese-film-group-then-and-now-part-1/
LOCATION:Virtual
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/08/Screenshot-2024-08-31-at-4.00.50 PM.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240919
DTEND;VALUE=DATE:20240925
DTSTAMP:20260423T132101
CREATED:20240831T225726Z
LAST-MODIFIED:20240831T225742Z
UID:10002632-1726704000-1727222399@arabishway.com
SUMMARY:Screening Online: ON LANDSCAPES\, RUINS AND PATTERNS OF REMEMBERING Curated by: Fawz Kabra
DESCRIPTION:Screening Online: Sept. 19 – 24\, 2024 \nRSVP: artearchive.org \nFREE / $5 suggested donation \nON LANDSCAPES\, RUINS AND PATTERNS OF REMEMBERING  is a program of video works that unfold a politics of image-making\, reviewing and recounting social and cultural histories as they are explored through contemporary frameworks. The program is prompted by a work from the ArteArchive—Toukan’s performance video\, Remind me to Remember to Forget (2006)\, after Mahmoud Darwish’s 1982 prose poem\, “Memory for Forgetfulness.” The artist proposes to reverse the act of writing and the will to remember\, consequently dispersing the written word and suspending it in memory and reimagination. \nRevisiting Toukan’s video eighteen years later\, in a global context that remains anxious with war and impending invasions\, Remind me to Remember to Forget is revisited in conversation with works by Alsharif\, Collins\, Hopinka\, Jacir\, and Namy. Through minimalist experiments and lyrical narratives the works address profound violences of colonial erasure of land and people\, the legacies of exile and dispersion\, and our relationship to objects and images when only image and replica remain. \n  \nIn their distinct structural explorations of cycles and repetitions\, these works deal with the promises and devastating blunders of modernity. They connect to land\, time\, and space in a contemporary world charged with a renewed authoritarian tendency that swings from guise and symbolism to blatant and annihilating power. Between lived experiences and replicated environments\, these works present a receding natural world\, real and imagined sites\, and archives that render the architectures of a modern time swept up in a coup of capitalist developments and techno-autocratic fascist regimes. \n  \nON LANDSCAPES\, RUINS AND PATTERNS OF REMEMBERING is co-presented with e-flux.
URL:https://arabishway.com/event/screening-online-on-landscapes-ruins-and-patterns-of-remembering-curated-by-fawz-kabra/
LOCATION:Virtual
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/08/Screenshot-2024-08-31-at-3.56.15 PM.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240927
DTEND;VALUE=DATE:20240928
DTSTAMP:20260423T132101
CREATED:20240829T163040Z
LAST-MODIFIED:20240829T163040Z
UID:10002620-1727395200-1727481599@arabishway.com
SUMMARY:Virtual Movie: Aida Returns
DESCRIPTION:A poignant\, sometimes sad\, sometimes painful\, sometimes humorous\, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease\, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more.
URL:https://arabishway.com/event/virtual-movie-aida-returns/
LOCATION:WA
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/08/Screenshot-2024-08-29-at-9.29.52 AM.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240927
DTEND;VALUE=DATE:20240928
DTSTAMP:20260423T132101
CREATED:20240829T163319Z
LAST-MODIFIED:20240829T163319Z
UID:10002621-1727395200-1727481599@arabishway.com
SUMMARY:Virtual Movie: Homeland: Iraq Year Zero
DESCRIPTION:In February 2002 – about a year before the U.S. invasion – Iraqi filmmaker Abbas Fahdel traveled home from France to capture everyday life as his country prepared for war. He concentrated on family and friends\, including his 12-year-old nephew\, Haider\, as they went about their daily lives\, which had come to include planning for shortages of food\, water and power. No strangers to war\, the Iraqis thought they understood what was coming\, and could even manage to be grimly humorous about what they felt would likely be a major and lengthy inconvenience. And then\, the war began. \n  \nWhen Fahdel resumed filming in 2003\, two weeks after the invasion\, daily activities have come to a near standstill\, the city is overrun with foreign soldiers\, and many areas of Baghdad had been closed off to ordinary citizens. Iraqis endure\, seemingly as unwitting as Americans themselves about what further tragedy awaits. Fahdel’s epic yet intimate film paints a compelling portrait of people struggling to survive while their civilization\, dating back to ancient times\, is destroyed around them.
URL:https://arabishway.com/event/virtual-movie-homeland-iraq-year-zero/
LOCATION:Virtual
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/08/Screenshot-2024-08-29-at-9.29.52 AM.png
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