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DTSTART;VALUE=DATE:20240615
DTEND;VALUE=DATE:20250106
DTSTAMP:20260501T085406
CREATED:20240529T150020Z
LAST-MODIFIED:20240731T175204Z
UID:10002439-1718409600-1736121599@arabishway.com
SUMMARY:Mary Ann Peters: the edge becomes the center
DESCRIPTION:The following description comes from the event organizer. \nSeattle artist Mary Ann Peters (born 1949\, Beaumont\, Texas) has attended to overlooked narratives for almost forty years\, interpreting her research through mediums including painting\, sculpture\, and installation. Peters unearths hidden diasporic histories\, often through travel\, and contextualizes them within her experiences of the contemporary Middle East as a second-generation Lebanese American. the edge becomes the center brings together the artist’s series this trembling turf for the first time and presents it alongside a new installation—works that together surface the ways forgotten and repressed pasts shape present experience. \nthis trembling turf features ten abstract drawings\, including one from the Frye’s collection\, which the artist crafts by applying thin strokes of white ink to black clayboard. The series interprets natural habitats where activity occurs beneath the surface\, with rhythmic patterns referencing sound waves used by archaeologists to uncover buried traces of civilization. These intricate drawings imagine the missing records of populations and cultures physically covered over\, reminding us that forgotten histories could be buried below us\, lost within our collective memory. \nThe exhibition’s new site-specific installation continues the artist’s ongoing impossible monuments series\, works of disparate materials and forms that memorialize disregarded details of socio-political events. Peters writes\, “I define an impossible monument as something that deserves reverence but by virtue of its incidental nature would never be elevated to the status of a monument.” Together\, these bodies of work ask viewers to consider which narratives are written into history and which are erased.
URL:https://arabishway.com/event/mary-ann-peters-the-edge-becomes-the-center/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2024/05/Peters-Install-trembling_turf.jpg
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DTSTART;VALUE=DATE:20240906
DTEND;VALUE=DATE:20250101
DTSTAMP:20260501T085406
CREATED:20240829T231537Z
LAST-MODIFIED:20240829T235724Z
UID:10002629-1725580800-1735689599@arabishway.com
SUMMARY:SZ Gallery: Control Anatomy
DESCRIPTION:SZ Gallery presents Control Anatomy\, an exhibit curated in collaboration with the Zawyeh Gallery in Ramallah\, Palestine. This solo exhibition by Palestinian artist Mahmoud Alhaj explores colonial violence and the architectural mechanisms of domination and control over Palestinian geography witnessed by Alhaj who was born in Gaza. \n 
URL:https://arabishway.com/event/control-anatomy/
LOCATION:SZ Art Gallery\, 2441 76th Avenue SE\, Suite 160\, Mercer Island\, WA
CATEGORIES:Art,Gathering
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2023/11/SuzanneZahr_Logo.jpg
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DTSTART;TZID=America/Los_Angeles:20240929T193000
DTEND;TZID=America/Los_Angeles:20240929T213000
DTSTAMP:20260501T085406
CREATED:20230727T173605Z
LAST-MODIFIED:20230828T232639Z
UID:10001871-1727638200-1727645400@arabishway.com
SUMMARY:Chamber Music Concerts presents: Aizuri Quartet with Kinan Azmeh\, clarinet [Oregon]
DESCRIPTION:Chamber Music Concerts presents: Aizuri Quartet with Kinan Azmeh\, clarinet\n\nPraised by The Washington Post for “astounding” and “captivating” performances\, the Aizuri Quartet was awarded the Grand Prize at the 2018 M-Prize Chamber Arts Competition\, along with top prizes at the 2017 Osaka International Chamber Music Competition in Japan and the 2015 Wigmore Hall International String Quartet Competition in London. Formed in 2012\, the Aizuri Quartet draws its name from “aizuri-e\,” a style of Japanese woodblock printing that is noted for its vibrancy and incredible detail. \nHailed as “intensely soulful” and a “virtuoso” by The New York Times\, clarinetist and composer Kinan Azmeh has gained international recognition for his distinctive voice across diverse musical genres. Originally from Damascus\, Syria\, Azmeh brings his music to all corners of the world. In addition to his own Arab-Jazz Quartet CityBand\, he was recently appointed to the National Council for the Arts on a nomination by President Joe Biden. \nPROGRAM \nRhiannon Giddens: At the Purchaser’s Option \nKinan Azmeh: Improvisation \nLayale Chaker: New Work \nKinan Azmeh: The Fence\, the Rooftop\, and the Distant Sea \nKomitas Vartabed: Armenian Folk Songs \nWang Lu: Between Air \nMichi Wiancko: Lullaby for the Transient \nPaquito d’Rivera: Preludio y Merengue \n\n Friday\, September 29 at 7:30pm to 9:30pm \n SOU Music Recital Hall\, 114\n450 S Mountain Ave Ashland\, OR 97520
URL:https://arabishway.com/event/kinan-aizuri-quartet/
LOCATION:SOU Music Recital Hall\, 114 450 S Mountain Ave\, Ashland\, OR\, 97520\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2020/05/kinan.jpg
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