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DTSTART;VALUE=DATE:20240606
DTEND;VALUE=DATE:20240628
DTSTAMP:20240626T172138Z
CREATED:20240626T172138Z
LAST-MODIFIED:20240626T172138Z
UID:10002509-1717632000-1719532799@arabishway.com
SUMMARY:Streaming: Movie: Where the Olive Trees Weep
DESCRIPTION:Where Olive Trees Weep offers a searing window into the struggles and resilience of the Palestinian people under Israeli occupation. It explores themes of loss\, trauma\, and the quest for justice. \nWe follow\, among others\, Palestinian journalist and therapist Ashira Darwish\, grassroots activist Ahed Tamimi\, and Israeli journalist Amira Hass. We also watch Dr. Gabor Maté support a group of women seeking understanding and healing and offer his insights into intergenerational trauma.
URL:https://arabishway.com/event/streaming-movie-where-the-olive-trees-weep/
LOCATION:Virtual
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2024/06/Screenshot-2024-06-11-at-9.09.50 AM.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240607
DTEND;VALUE=DATE:20240801
DTSTAMP:20240618T133148Z
CREATED:20240618T131913Z
LAST-MODIFIED:20240618T133148Z
UID:10002476-1717718400-1722470399@arabishway.com
SUMMARY:Mercer Island Art Walk: SZ Gallery: I'm Still Alive
DESCRIPTION:During this (Frist) Friday MI Art Walk\, stop by the SZ Gallery with a spirit of empathy & sense of curiosity\, as you explore and learn from Palestinian and Arab Artists. \nIn gratitude for and collaboration with the Zawyeh Gallery\, SZ Gallery commits to giving voice to Palestinians and their experiences\, focusing on their humanity\, through creative expressions of art & culture. \nAfter losing his home and studio in Gaza City in October\, Maisara Baroud began drawing his diaries under the devastating Israeli genocidal war. He hasn’t ceased drawing since losing his “personal little world” to destruction\, along with all his paintings\, tools\, books\, and precious memories. Through his paintings\, he documents displacement\, brutal bombardment\, the fear of loss\, and the anxiety of protecting loved ones. Baroud says\, “I draw to tell my friends that I am still alive.” – Excerpt by Rana Anani \n 
URL:https://arabishway.com/event/exhibition-still_alive/
LOCATION:SZ Art Gallery\, 2441 76th Avenue SE\, Suite 160\, Mercer Island\, WA
CATEGORIES:Art,Gathering
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2024/06/unnamed-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240615
DTEND;VALUE=DATE:20250106
DTSTAMP:20240731T175204Z
CREATED:20240529T150020Z
LAST-MODIFIED:20240731T175204Z
UID:10002439-1718409600-1736121599@arabishway.com
SUMMARY:Mary Ann Peters: the edge becomes the center
DESCRIPTION:The following description comes from the event organizer. \nSeattle artist Mary Ann Peters (born 1949\, Beaumont\, Texas) has attended to overlooked narratives for almost forty years\, interpreting her research through mediums including painting\, sculpture\, and installation. Peters unearths hidden diasporic histories\, often through travel\, and contextualizes them within her experiences of the contemporary Middle East as a second-generation Lebanese American. the edge becomes the center brings together the artist’s series this trembling turf for the first time and presents it alongside a new installation—works that together surface the ways forgotten and repressed pasts shape present experience. \nthis trembling turf features ten abstract drawings\, including one from the Frye’s collection\, which the artist crafts by applying thin strokes of white ink to black clayboard. The series interprets natural habitats where activity occurs beneath the surface\, with rhythmic patterns referencing sound waves used by archaeologists to uncover buried traces of civilization. These intricate drawings imagine the missing records of populations and cultures physically covered over\, reminding us that forgotten histories could be buried below us\, lost within our collective memory. \nThe exhibition’s new site-specific installation continues the artist’s ongoing impossible monuments series\, works of disparate materials and forms that memorialize disregarded details of socio-political events. Peters writes\, “I define an impossible monument as something that deserves reverence but by virtue of its incidental nature would never be elevated to the status of a monument.” Together\, these bodies of work ask viewers to consider which narratives are written into history and which are erased.
URL:https://arabishway.com/event/mary-ann-peters-the-edge-becomes-the-center/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2024/05/Peters-Install-trembling_turf.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240616T100000
DTEND;TZID=America/Los_Angeles:20240616T120000
DTSTAMP:20240531T184631Z
CREATED:20240531T184543Z
LAST-MODIFIED:20240531T184631Z
UID:10002470-1718532000-1718539200@arabishway.com
SUMMARY:Kuffiyeh Walk - Kirkland Edition
DESCRIPTION:Wear your kuffiyeh and walk proudly! \nMeet on Google’s Kirkland Campus! \nYou can park in the parking lot of Building C.  Head down to the trail and meet us at the playground \n \nHead down to the trail and meet us at the playground \n \nContact Nadera with questions: nadera0425@yahoo.com \n 
URL:https://arabishway.com/event/kuffiyeh-walk-kirkland-edition-june/
LOCATION:Google Building C (Parking Lot)\, 747 6th Street South\, Kirkland\, WA\, 98033\, United States
CATEGORIES:Gathering,Outdoor/Recreation
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2023/11/Kuffiyeh-walk-Kirkland-2-e1709222755477.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240616T163000
DTEND;TZID=America/Los_Angeles:20240616T183000
DTSTAMP:20240528T183425Z
CREATED:20240528T183311Z
LAST-MODIFIED:20240528T183425Z
UID:10002428-1718555400-1718562600@arabishway.com
SUMMARY:Movie: Photo Booth
DESCRIPTION:In this split-screen opera-documentary about boycott activism\, two Palestinian brothers plot with novelist Jean Genet in Jericho to sabotage the 2021 Eurovision Song Contest. Their method? Secure the collaboration of Buddy and Pedro\, Toronto’s famous naked gay singing penguins. Photo Booth weaves together diverse doc\, opera\, and video art scenes\, blending humour and song to explore the politics of boycott\, staged in a surreal landscape of megaphones and photo booths\, twelve-tone and split-screen\, frisbees and teargas\, Gaga and Gaza\, solidarity and silence… \n\n\n\nAlso showing:\n\n\nSun Jun 16\, 7.30pm PDT
URL:https://arabishway.com/event/movie-photo-booth-3/
LOCATION:Northwest Film Forum\, 1515 12th Ave\, 2\, Seattle\, WA\, 98122\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2024/05/Photo-Booth-Movie.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240616T193000
DTEND;TZID=America/Los_Angeles:20240616T213000
DTSTAMP:20240528T183538Z
CREATED:20240528T183443Z
LAST-MODIFIED:20240528T183538Z
UID:10002429-1718566200-1718573400@arabishway.com
SUMMARY:Movie: Photo Booth
DESCRIPTION:In this split-screen opera-documentary about boycott activism\, two Palestinian brothers plot with novelist Jean Genet in Jericho to sabotage the 2021 Eurovision Song Contest. Their method? Secure the collaboration of Buddy and Pedro\, Toronto’s famous naked gay singing penguins. Photo Booth weaves together diverse doc\, opera\, and video art scenes\, blending humour and song to explore the politics of boycott\, staged in a surreal landscape of megaphones and photo booths\, twelve-tone and split-screen\, frisbees and teargas\, Gaga and Gaza\, solidarity and silence…
URL:https://arabishway.com/event/movie-photo-booth-4/
LOCATION:Northwest Film Forum\, 1515 12th Ave\, 2\, Seattle\, WA\, 98122\, United States
CATEGORIES:Movie
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2024/05/Photo-Booth-Movie.jpg
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