BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ArabishWay - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://arabishway.com
X-WR-CALDESC:Events for ArabishWay
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20220313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20221106T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20230312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20231105T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20240310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20241103T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231026
DTEND;VALUE=DATE:20231202
DTSTAMP:20260504T125855
CREATED:20231026T212248Z
LAST-MODIFIED:20231027T173423Z
UID:10001985-1698278400-1701475199@arabishway.com
SUMMARY:"Living" Room by Abdelfattah Abusrour [virtual]
DESCRIPTION:“Living” Room by Abdelfattah Abusrour\nIf these walls could talk…what would they say about the occupation of Palestine? \nIf these walls could talk…This is the experience of a “living” room in the West Bank under occupation. Find a comfortable chair in your own living room\, and press play. \nAbdelfattah Abusrour is founder and director of Alrowwad Cultural and Arts Society\, established in 1998 in Aida refugee camp-Bethlehem. His concept and philosophy “Beautiful Resistance”\, using performing and visual arts\, culture and education\, is a creative and peaceful expression in situations of oppression and trauma to provide possibilities to save lives and inspire hope and build peace within individuals to be peace builders in their communities and beyond. He started working with children\, youth and later adults\, focused also on mothers and women. Mobile Beautiful Resistance program\, using theatre\, dance\, photography\, games library (play bus) touring all over the West Bank-Palestine to train trainers and connect with other Palestinian communities and marginalized areas. Abusrour is an author\, actor\, and theatre director\, with a PhD in Biological and Medical Engineering from France in 1993. In 2005\, he abandoned his career in Biology because he believed in the power of arts and culture as pure humanity where stereotypes vanish and people are on equal grounds. These are the bridges that people can build together as equals to shape a better future for all the generations to come. Abusrour co-wrote the plays Salut c’est nous in 1990\, and Nourrir de faim; in 1993 while studying in France (Co-founder of Paris Nord Théâtre). He has written\, adapted or performed in many plays produced in Palestine\, including Waiting for the Rain\, Staying Alive\, When Old Men Cry\, “6500\,” and others. \nAbusrour says: “We don’t have the luxury of despair\, but a steadfast hope that we can make a change for our children and the generations to come that we can be proud of” and “Miracles don’t happen alone\, we provoke them to happen.” \nThe sound designer for this play is Wisam Aljafari\, and the recording was made in the Alrowwad studios in Aida Camp\, West Bank. \nNamed one of the Top 5 Immersive Companies in NYC by Jonathan Mandell of tdf.org\, This Is Not a Theatre Company creates site-based\, immersive\, multi-sensory\, participatory dance-theatre that can be smelled\, touched\, and tasted as well as seen and heard. This theatre is not something to passively consume\, but to co-create. With each production\, This Is Not a Theatre Company asks the audience to perceive the world in new ways\, to empathize in new ways\, and to practice creativity. Visit www.ThisIsNotaTheatreCompany.com.
URL:https://arabishway.com/event/living-room-by-abdelfattah-abusrour-virtual/
LOCATION:Virtual
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2023/10/living-room.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231102
DTEND;VALUE=DATE:20231203
DTSTAMP:20260504T125855
CREATED:20231024T020520Z
LAST-MODIFIED:20231026T162459Z
UID:10001967-1698883200-1701561599@arabishway.com
SUMMARY:Rajaa Gharbi\, Selected Works: Exhibition by Rajaa Gharbi
DESCRIPTION:VISUAL ART Every Thursday–Saturday\, from November 2–December 2 12–5 pm \nFeaturing original acrylic paintings and prints from several previous solo exhibitions\, artist Rajaa Gharbi‘s exhibition\, Rajaa Gharbi\, Selected Works is largely inspired by a sense of realism and the need for collective\, life-nurturing visions and practices. \nGharbi’s works are never about just one or two themes. Among her earliest and indelible art influences and “training” grounds were her mother’s clothing designs\, her father’s storytelling feats\, her native city’s omnipresent visual worlds of hand-weaving arts\, first centuries BCE monumental representational mosaic “paintings”\, and the vestiges of a bygone Roman Empire. Visual storytelling and ancient scripts have held her focus since childhood. There\, the first waves of infinite geometric designs and limitless color palettes permeated her psyche. Hopping around or staring at the fallen or still standing marble statues of all sizes\, texts hand-engraved on steles\, and very young olive trees cracking life open right through ancient fallen columns in her native Carthage\, Tunisia and across North Africa are still among her sources of inspiration. She is also inhabited and taught by the geographic and human landscapes of the American Northwest.
URL:https://arabishway.com/event/rajaa-gharbi-selected-works-exhibition-by-rajaa-gharbi/
LOCATION:Gallery 110\, 110 3rd Ave. S\, Seattle\, WA\, 98104\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2019/03/Rajaa-Gharbi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231109
DTEND;VALUE=DATE:20231201
DTSTAMP:20260504T125855
CREATED:20231110T032449Z
LAST-MODIFIED:20231110T032449Z
UID:10002004-1699488000-1701388799@arabishway.com
SUMMARY:Palestinian Voices:  Streaming Movies
DESCRIPTION:In this dire time\, we want to share a selection of films that showcase the history\, culture\, and people of Palestine. In partnership with the Arab Film and Media Institute (AFMI)\, we present Palestinian Voices\, which can serve as a resource to provide insight into the current situation unfolding in Gaza and the people being affected. We seek to continually change the narrative\, share our stories\, and foster understanding of our common humanity through art and storytelling. \n  \nOnline Program: \nCloseness to the Land (2022)\, directed by Mona Gazala \nFadia’s Tree (2021)\, directed by Sarah Beddington \nFrom Under the Rubble (2017)\, directed by Anne Tsouli \nGaza Fights for Freedom (2019)\, directed by Abby Martin\nGaza Surf Club (2017)\, directed by Mickey Yamine and Philip Gnadt \nMariam (2020)\, directed by Dana Durr \nSomething from the There (2020)\, directed by Rana Nazzal Hamadeh \nUnder the Lemon Tree (2020)\, directed by Noor Fawzi Al-Asswad \nWild Plants of Palestine (2018)\, directed by Alaa Abu Asad \n  \nStay tuned for more films and curated programs to be added throughout the month of November \n  \nPalestinian Voices will run through the entire month of November.  You can watch most of the films in this series online and from anywhere in the world.  A few titles are limited to viewers in the United States. \n\n\n\n\n\n\n\n\n\n\nRSVP for Online Screening
URL:https://arabishway.com/event/palestinian-voices-streaming-movies/
LOCATION:Virtual
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2023/11/arteeast-movie-streaming.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231127
DTEND;VALUE=DATE:20231130
DTSTAMP:20260504T125855
CREATED:20231127T201401Z
LAST-MODIFIED:20231127T201659Z
UID:10002020-1701043200-1701302399@arabishway.com
SUMMARY:Streaming Movies from Aflamuna: Films From Palestine
DESCRIPTION:اخترنا لكم في تشرين الثاني \nتكرّس AFLAMUNA.online شهر تشرين الثاني لأفلام مؤثرة عن فلسطين، وإصرار شعبها الذي  لا يكلّ. \nفي هذا البرنامج المخصّص، نسلّط الضوء على النضال الذي لا يتزعزع وروح الشعب الفلسطيني التي لا تُقهر، وقوّتهم ومثابرتهم. \nمنصّتنا لأصوات الفلسطينيين؛ نحتفي بالسردية الفلسطينية وقوة شعبها، ونقف ضد أي محاولات لتزييف تاريخها  والمساس بحقوق الفلسطينيين. \n\n\n\n\n\n\n\n\n\n\nOUR PICKS FOR NOVEMBER \nAFLAMUNA.online is dedicating the month of November to a compelling selection of films\, each a profound testament to the story of Palestine. \nIn this dedicated program\, we shed a brilliant light on the unwavering struggle and indomitable spirit of the Palestinian people\, unearthing narratives that resound with their strength and perseverance. \nA heartfelt tribute to Palestine\, amplifying Palestinian voices\, adhering to the rights of Palestinians\, honoring Palestinian narratives\, and standing against any attempts to falsify its history and any violation of the rights of its people. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nكأنّنا عشرون مستحيل \n آن ماري جاسر 17 د. \nفلسطين المحتلّة: عندما يقرّر طاقم فيلم فلسطيني تفادي نقطة تفتيش مغلقة وإتخاذ طريق فرعيّ، يتبيّن المشهد السياسي، ويُفصل بين الرّكاب بوحشيّةالإحتلال الدونية. قصيدة بصريّة وسرديّة في آن واحد، يتساءل فيلم “كأنّنا عشرون مستحيل” بسخرية عن المسؤوليّة الفنّية وسياسة صناعة الأفلام من خلال مساءلة سياسات تجزئة وتقسيم شعب بأكمله. \n\n\n\n\n\n\n\n\n\n\nLike Twenty Impossibles \n Annemarie Jacir  17 MINS \n  \nOccupied Palestine: When a Palestinian film crew averts a closed checkpoint by taking a remote side road\, the political landscape unravels\, and the passengers are slowly taken apart by the mundane brutality of military occupation. A visual poem and a narrative\, “Like Twenty Impossibles” wryly question artistic responsibility and filmmaking’s politics while speaking to a people’s fragmentation. \n  \n\n\n\n\n\n\n\n\n\nplay / للمشاهدة\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n23 تشرين الثاني – 6 كانون الأول \n\n\n\n\n\n\n\n\n\n\nNovember 23 – December 6 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nاليد الخضراء \n إيمانويل جيروزا 65 د. \nجهاد وعبدالله، مؤسسي فريق باركور غزة، نشآ معًا في قطاع غزة، لكن خياراتهما فرقتهما على مرّ السنين. اليوم، أكثر من أي وقت مضى، يحتاجون إلى معرفة ما إذا كان هناك سبيل إلى الحرية، لشخص مثلهما، وُلد في السجن. \n\n\n\n\n\n\n\n\n\n\nOne More Jump \n Emanuele Gerosa  65 MINS \n  \nJehad and Abdallah\, founders of the Gaza Parkour Team\, were brought up together in the Gaza Strip\, but their choices divided them for years. Today\, more than ever\, they need to find out if there is a way to lead to freedom for someone who\, like them\, was born in prison. \n\n\n\n\n\n\n\n\n\nplay / للمشاهدة\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n30 تشرين الثاني – 13 كانون الأول \n\n\n\n\n\n\n\n\n\n\nNovember 30 – December 13 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nخيوط السرد \n كارول منصور 78 د. \nتجلس أمامنا إثنتا عشر إمرأة فلسطينية وتتحدّثن عن حياتهن قبل الشتات، عن ذكرياتهن، حياتهن، وهويّتهن. ترتبط القصص من خلال خيط التطريز الأبدي. إثنتا عشر امرأة، يمتلكن الصّمود، العزم، وبلاغة التعبير، يستمدّنّ إيّاها من مختلف أوجه حياتهنّ: محاميات، فنانات، ربّات منزل، ناشطات، مهندسات، وسياسيّات، يطرزن معًا قصة وطنهن وحرمانهن وثبوتهن على مبدأ أنّ العدالة لا بد أن تسود يومًا. من خلال قصصهن، يتشابك السرد الفردي مع السرد الجماعي، محافظًا في الوقت ذاته على تميّزه وخصوصيّته. إثنتا عشر إمرأة، إثنتا عشر عمرًا، وقصصٌ من فلسطين، أرضٌ كان موقعها محدّدًا على خريطة العالم، صار واقعها مطرّزًا على وجهه. \n\n\n\n\n\n\n\n\n\n\nStitching Palestine \n Carol Mansour 78 MINS \n  \nTwelve Palestinian women sit before us and talk of their life before the Diaspora\, of their memories\, of their lives\, and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery. Twelve resilient\, determined\, and articulate women from disparate walks of life: lawyers\, artists\, housewives\, activists\, architects\, and politicians stitch together the story of their homeland\, of their dispossession\, and of their unwavering determination that justice will prevail. Through their stories\, the individual weaves into the collective yet remains distinctly personal. Twelve women\, twelve life spans\, and stories from Palestine\, a land whose position was fixed on the map of the world but is now embroidered on its face. \n\n\n\n\n\n\n\n\n\nplay / للمشاهدة
URL:https://arabishway.com/event/streaming-movies-from-aflamuna-films-from-palestine/
LOCATION:Virtual
CATEGORIES:Movie
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2020/07/aflamuna.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231127T113000
DTEND;TZID=America/Los_Angeles:20231127T130000
DTSTAMP:20260504T125855
CREATED:20231127T205025Z
LAST-MODIFIED:20231127T205025Z
UID:10002022-1701084600-1701090000@arabishway.com
SUMMARY:No Tech For Apartheid: Panel
DESCRIPTION:Join us in a series of discussions with an amazing group of scholars\, journalists and activists to learn about tech enabled Israeli apartheid\, the history of tech workers in both enabling and dismantling apartheid\, and what you can do to support Palestinians.\n \n***Register through Ticket Tailor to receive a link to the live-streamed video on the day of the event. This event will also be recorded and captioning will be provided.*** \nSpeakers: \nCaroline Hunter co-founded the Polaroid Revolutionary Workers Movement. \nMarwa Fatafta leads Access Now’s policy & advocacy work on digital rights in MENA region. \nMona Shtaya is Campaigns & Partnerships Manager (MENA) and Corporate Engagement Lead at Digital Action. She was also advocacy & communications manager at 7amleh. \nAriel Koren was pushed out of Google for advocacy on the #NoTechForAparthied and Drop Nimbus campaigns. \nAntony Loewenstein is the author of The Palestine Laboratory. \nMatt Mahmoudi is Researcher/Adviser on Artificial Intelligence & Human Rights at Amnesty Tech\, and co-author of Digital Witness. He is a professor at University of Cambridge. \nTimnit Gebru (moderator) is the founder and executive director of the Distributed Artificial Intelligence Research Institute (DAIR). Prior to that she was fired by Google in December 2020 for raising issues of discrimination in the workplace\, where she was serving as co-lead of the Ethical AI research team. \nAlex Hanna (moderator) is Director of Research at the Distributed AI Research Institute (DAIR). A sociologist by training\, her work centers on the data used in new computational technologies\, and the ways in which these data exacerbate racial\, gender\, and class inequality. \n——————————————————————— \nThis event is sponsored by Haymarket Books and the Distributed AI Research Institute (DAIR) and is part of Until Liberation: A Series for Palestine by Haymarket Books cosponsored by Palestinian American Organizations Network\, Mondoweiss\, Spectre\, Dissenters\, Tempest\, Palestine Deep Dive\, The New Arab\, and more. While all of our events are freely available\, we ask that those who are able make a solidarity donation in support of our important publishing and programming work. A portion of the proceeds from this event will be donated to Palestine Legal and Respond Crisis Translation
URL:https://arabishway.com/event/no-tech-for-apartheid-panel/
LOCATION:Virtual
CATEGORIES:Lecture,Lecture/Panel Discussion
ATTACH;FMTTYPE=image/png:https://arabishway.com/wp-content/uploads/2023/11/Screenshot-2023-11-27-at-12.46.52 PM.png
END:VEVENT
END:VCALENDAR