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DTSTART;VALUE=DATE:20220628
DTEND;VALUE=DATE:20220901
DTSTAMP:20260420T035108
CREATED:20220629T042102Z
LAST-MODIFIED:20220629T042102Z
UID:10001364-1656374400-1661990399@arabishway.com
SUMMARY:Online: Sulger-Gallery Exhibition Extension Alternative Museum of the Sudan
DESCRIPTION:Following the success of Amado Alfadni’s ‘Alternative Museum of the Sudan’ the exhibition has been extended and will remain on display at Sulger-Buel Gallery until the 31st of August 2022 and viewing is available by appointment only. \nThis solo exhibition highlights Alfadni’s deep research-based investigations into the forgotten silenced histories of the Sudan. The artist utilizes oral archives\, postcards\, photographs\, performances\, and mixed-media costumes to reveal the complex relationship between colonialism and Black Africa\, as well as the intermingled histories of Black Africa\, Egypt\, and North Africa. \nAbout the artist:\nBorn in 1976 in Cairo\, Amado Alfadni’s childhood was composed of two distinct environments: the Cairene Street and the Sudanese home. The relationship and the tension between these two cultures strongly influenced his views\, making him question the subject of identity with its related rhetoric\, as well as the variables of nation and ethnicity in his work. By working with forgotten historical events and referring to the current state of things\, he challenges the power dynamics between the individual and authority on both the social and political levels. He gives a voice to the ethnic minority\, with a focus on research and documentation of ignored happenings. \nAbout the curator:\nNajlaa El-Ageli\, an architect (AA Dip) with over twenty years of experience in the profession\, founded Noon Arts Projects in 2012. A small private arts foundation\, with a mission to bring the best of contemporary art from the MENA (Middle East and North Africa) region\, from both emerging and established artists\, and expose it to the world stage. Collaborating with art venues and foundations\, she has curated over 20 exhibitions in the UK\, Spain\, Malta\, Italy\, and the US. \n 
URL:https://arabishway.com/event/online-sulger-gallery-exhibition-extension-alternative-museum-of-the-sudan/
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2022/06/Sudan-museum.jpeg
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DTSTART;TZID=America/Los_Angeles:20220713T180000
DTEND;TZID=America/Los_Angeles:20220713T193000
DTSTAMP:20260420T035108
CREATED:20220627T152447Z
LAST-MODIFIED:20220627T152447Z
UID:10001354-1657735200-1657740600@arabishway.com
SUMMARY:Zeina Hashem Beck (virtual)
DESCRIPTION:Much-praised Lebanese poet Zeina Hashem Beck makes this welcome visit by virtual means to read from her newly published third full-length collection\, O (Penguin Poets). Writing in Arabic and English\, she cuts to the quick here\, in form\, range\, breadth – and breath. \n“O is so full of life\, of music and passion for life. In ghazals\, odes\, revolution songs and invocations of O the world comes vividly alive: ‘I carry a name & many cities\,’ writes Hashem Beck\, as her poems unfold the abundance of our world. Abundance\, yes: so much tenderness\, so much passion in these pages: just one language can’t contain it all\, so the poet gives us ‘Duets\,’ joining Arabic and English in the same stanza. The lyricism is a vehicle of emotional impact … Hashem Beck’s prayer isn’t shy of calling for revolution\, of asking ‘to occupy the streets\, bring the tires\, the sofas\, the drums\, the blaring cars.’ Zeina Hashem Beck’s prayer isn’t afraid of stories\, of new music on your balconies. Listen. Her O brims with the world.” —Ilya Kaminsky. \n“Western readers often consume books by international authors like perverse anthropologists\, scanning for a word or phrase that buttresses their ill-informed preconceptions\, cudgeling a writer’s meticulously woven lyric into vapid social generality. Zeina Hashem Beck’s O rebukes this tendency explicitly in an early poem: “I’m tired of metaphors about peace. // I prefer dark chocolate in the morning\, / & a good window.” And then throughout the collection\, she rebukes it with her truly undeniable poems—rhymes braid across multiple languages\, intricate forms fracture under the weight of their subjects. In one unforgettable piece\, a subtle incantation ends on the name of a flower that looses itself across the page like so many petals. Unforgettable\, undeniable—these are the words I keep coming back to with O. Anyone who reads it in earnest will emerge better made.” —Kaveh Akbar. \nZeina Hashem Beck’s other collections include Louder Than Hearts\, To Live in Autumn\, and the chapbooks 3arabi Song and There Was and How Much There Was. \n\nVirtually hosted by Elliott Bay Book Company.
URL:https://arabishway.com/event/zeina-hashem-beck-virtual/
CATEGORIES:Poetry
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2022/06/zeinahashembeck.jpeg
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