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DTSTART;VALUE=DATE:20211002
DTEND;VALUE=DATE:20220207
DTSTAMP:20260506T231743
CREATED:20210928T215814Z
LAST-MODIFIED:20210929T193606Z
UID:10001050-1633132800-1644191999@arabishway.com
SUMMARY:Diana Al-Hadid: Archive of Longings:  Exhibition at the Henry Art Gallery
DESCRIPTION:Diana Al-Hadid’s work explores the interplay between the female body and the European art canon; Syrian\, Muslim\, and immigrant histories and mythologies; and architectural icons and the natural world. Born in 1981 in Aleppo\, Syria\, and raised in Cleveland\, Ohio\, Al-Hadid creates artworks that speak to her interest in the melding of cultures and the translation of disparate narratives. This monographic exhibition will consist of a selection of 13 sculptural works made between 2010 and 2021 brought into interpretive grouping for the first time. Together the sculptures identify the artist’s investigation of historical\, mythological\, and biblical narratives of women as a fundamental through-line of her practice.\nWhile Al-Hadid’s work is often interpreted primarily in relation to her interest in the art historical canon\, this show situates the artist’s deployment of these influences as advancing a network of feminist concerns: the female protagonist and its conflicted history\, as well as women’s agency\, power\, and identity. The title refers to the artist’s ongoing interest in the incomplete nature of collective history and the palimpsest of narrative and information that constructs our sense of history; it also resists the monumentalizing (and ultimately\, patriarchal and colonialist) idea of fixity and singularity. Instead\, Al-Hadid foregrounds disruption and rupture in the endlessly woven fabric of our stories of self/the body\, the migration of information and interpretation through space and time\, and the fundamentally unfixed nature of human desire.\nThe exhibition is held in conjunction with the Feminist Art Coalition (FAC)\, a nationwide initiative of art projects that seek to generate cultural awareness of feminist thought\, experience\, and action.\nA brochure with a curatorial essay\, alongside installation images\, will accompany the exhibition.
URL:https://arabishway.com/event/exhibition-diana-al-hadid/
LOCATION:Henry Art Gallery\, 15th Avenue NE + NE 41st Street\, Seattle\, WA\, 98195\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://arabishway.com/wp-content/uploads/2021/09/Diana-Al-Hadid.jpeg
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DTSTART;TZID=America/Los_Angeles:20220125T180000
DTEND;TZID=America/Los_Angeles:20220125T193000
DTSTAMP:20260506T231743
CREATED:20220126T222308Z
LAST-MODIFIED:20220126T222308Z
UID:10001171-1643133600-1643139000@arabishway.com
SUMMARY:Nadifa Mohamed with Cynthia Bond
DESCRIPTION:Even though it is virtual\, we are delighted to finally be able to present a reading/talk program with Nadifa Mohamed\, a writer we’ve read and followed through her first novels\, Black Mamba Boy and The Orchard of Lost Souls. Born in Hargeisa\, Somaliland and then raised and educated in London\, she has received the Betty Trask and Somerset Maugham Awards\, and in 2013 was named one of Granta’s Best Young British Novelists – a distinction which got her to Seattle as part of a group tour. She is virtually with us tonight for her compelling\, Man Booker shortlist nominated novel\, The Fortune Men (Knopf). Based on a true story\, the narrative centers on the unjust conviction (overturned years later) and execution of an innocent Somali immigrant\, Mahmood Mattan in Cardiff\, Wales in 1952. There is more to this book than that. \n“Equally informative and moving . . . The immediate allure of the novel is the vibrancy of Mohamed’s prose\, her ability to capture the complicated culture of Cardiff and the sound of tortured optimism. . . . The horrific finale of The Fortune Men is never in doubt\, but for more than 200 pages Mohamed still creates a sharp sense of suspense by pulling us right into Mahmood’s world as his life tilts and then crashes. . . . There’s a natural grandeur to her portrayal of this ordinary man caught in the city’s gears. Readers will hear echoes of Dostoevsky and Kafka in her re-creation of this nightmare. . . . With The Fortune Men\, Mohamed has given us a clear vision of so many victims caught in the maw of racist legal systems.”—Ron Charles\, The Washington Post. \n“Nadifa Mohamed’s The Fortune Men is a blues song cut straight from the heart. It tells about the unjust death of an innocent Black man caught up in a corrupt system. Nadifa’s masterful evocation of the full life of Mahmood Mattan\, the last man executed in Cardiff for a crime he was exonerated for forty years later\, is brought alive with subtle artistry and heartbreaking humanity. In one man’s life Mohamed captures the multitudes of homelands\, dialects\, hopes\, and prayers of Somalis\, Jews\, Maltese and West Indians drawn in by the ships that filled Wales’ Tiger Bay in the 1950’s\, all hoping for a future that eludes Mattan.”—Walter Mosley.
URL:https://arabishway.com/event/nadifa-mohamed-with-cynthia-bond/
CATEGORIES:Book Reading
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