Seattle International Film Festival: Khartoum

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What begins as a street-level documentary of five ordinary lives in Khartoum—a civil servant, a tea vendor, a resistance volunteer, and two young bottle collectors—evolves into a radically inventive chronicle of a city at the edge of collapse. Shot on donated iPhones by four Sudanese filmmakers working alongside British director Phil Cox, production was interrupted when war erupted in April 2023. The filmmakers fled Sudan and regrouped in Nairobi, where they transformed the project using green screen re-enactments, animation, and dreamlike visual reconstructions.

The film’s five interwoven stories bear witness to lives disrupted by conflict but never reduced by it. A mother sings lullabies to shield her daughter; two boys flee militias on the back of an invisible lion; a government worker hides from a regime unraveling around him. Through surreal vignettes and raw detail, Khartoum refuses the distancing lens of crisis coverage.

So while Khartoum began as a vérité documentary shot in Sudan, it became a diasporic production: completed in exile, shaped by displacement, and creatively reassembled across borders. A collaborative act of remembrance and resistance, it is not simply about a city under siege—it is made by those who fled it, carrying its stories with them.